tone [E]
Isn't she [C#m7](vi) lovely [F#7] (V7/V)
[F#m7] (ii7) Isn't she [B7] (V7) wonderful [Emaj7] (Imaj7)
Isn't she [C#m7] (vi) precious[F#7] (V7/V)
[F#m7] (ii7) Less than one [B7] (V7) minute [Emaj7] (Imaj7) old
I never [Amaj7] (IVmaj7 or Imaj7) thought through love we'd [G#m7] (iiim7) be
Making [C#m7] (vi) one as [F#7](V7/V) lovely as she [E7] (V7/IV)
But isn't she [Amaj7] (diatonic walk down) lovely[C#m7] made[F#7] from [B7] (V7) love [E] (I)
Second verse: add more technique complexity
and a few leading tones, no changing harmonization
Second chorus: chromatic walk down instead.
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